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But a reluctance to talk about personal struggles might explain her oeuvre’s intriguingly inscrutable character, as if the lived experience that held it all together was something that she was trying to reflect only indirectly. This note of aloofness, in fact, makes Genzken’s messy contemporary work very classical in spirit, an example of the rhetoric of art being used to elevate us above the tangle of life.

– Ben Davis (Isa Genzken review)


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