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Today the most fascinating place to look for transgression in painting is at the junction of the picture plane and in the space around it. Artists are working at the intersection of related action and focusing on the installation and the circulation of the experience. Not only is the physical space for display an aspect to activate, but the performative and virtual spaces in which reproductions are placed as well. The ways in which these representations are stored, endlessly reproduced, and discussed on such virtual platforms as the Internet have created infinite possibility for painting.

– Greg Lindquist (Brooklyn Rail Article)

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