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Monthly Archives: February 2013

“One of most intriguing aspects about art today is its entanglement with theory. In fact, contemporary art practice is now so highly saturated with theoretical knowledge that it is becoming a research practice in and of itself. Artists have not only taken up art criticism and negotiations, they now also integrate research methods and scientific knowledge into their artistic process to such a degree that it even seems to be developing into an independent form of knowledge on its own.”

Kathrin Busch (art & research editorial)

 

“…I am sure that human beings cannot remain human without art. How, otherwise, can we explain why art has existed among them at all times everywhere, why they have expended so much time, effort, and emotion in its pursuit, and why they are, with their senses, brains, and bodies, so often preoccupied with it? If I ask myself why art has existed everywhere among humans, I have a short and a long answer. The short one is: it is because art satisfies the inescapable human hunger for imagined experience in all of its imaginable variations. This hunger is our need to create, contemplate, possess, and repossess at least the shadow of what we do not have fully enough to satisfy us. Art is the instrument we use in order to give virtual presence to everything that interests us but is not effectively present enough to overcome the restlessness of an imagination too idle for its own comfort.”

Ben-Ami Scharfstein (Art Without Borders excerpt)