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According to the exhibition press release, Skin Fruit aims to “evoke the tensions between exterior and interior, between what we see and what we consume.” It posits a corporeal theme garnered by heavy doses of sensuality, sexuality, and multitudinous examinations of the flesh. But is this really what Skin Fruit does? On a whole, I would argue otherwise. What the exhibition does succeed at is generating a buzz about contemporary art, the practice and philosophy of collecting, the art market and the museum as paradox: one part commercial venue, the other part educational institution. As a result, the New Museum has some considerable (re)thinking to do. Everyone learns from their mistakes. Hopefully this beacon of the Bowery is no exception to the rule.

Brookly Rail Review

Skin Fuit Exhibition


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